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If I Wouldn’t Be in Your Shoes! represents noir at its most bargain basement, Sam Raimi’s 2000 release The Gift is pulp fiction at the other end of the spectrum, loaded with then recent Academy Award winners and nominees (Cate Blanchett, Hilary Swank, Greg Kinnear) and bankable movie stars (Keanu Reeves, fresh off The Matrix and terrifying here as a bigoted wife-beater).
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As with other recent Warner Archive noir releases like Step by Step (also highly recommended), the disc features not only a flawless transfer but bonus short subjects from the Warner library – it’s a terrific package. The tale of a down on his luck dancer framed for murder and the efforts of his not entirely honorable wife to exonerate him was tailor made for screenwriter Steve Fisher, author of one of the best acidic novels ever written about Hollywood ( I Wake Up Screaming) he skillfully establishes the characters with clarity and concision, only to surprise the audience in the final act with some well prepared for but unpredictable twists of moral vacancy. That film is newly available on Blu-ray from Warner Archive, and it’s a thoroughly entertaining example of resourceful no-budget filmmaking the tight budget is evident in the limited coverage and cramped interiors, but director William Nigh turns his disadvantages into strengths by using the tight spaces to create a pervasive sense of claustrophobia and entrapment. Mirisch’s first solo Monogram production was an adaptation of Woolrich’s Fall Guy in 1947 he followed it up with the 1948 screen version of the author’s short story I Wouldn’t Be in Your Shoes! a year later. He kept the studio in the black with his Bomba the Jungle Boy series, but before establishing that franchise he produced a pair of noir movies based on material by Cornell Woolrich, the suspense writer who would hit paydirt with Hitchcock’s Rear Window.
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Walter Mirisch is best remembered today as the producer of studio prestige releases like In the Heat of the Night, The Apartment, and the original West Side Story, but before he became one of Hollywood’s most reliable sources of “A” pictures he toiled away in the “B” trenches of Poverty Row company Monogram. But in its execution, 1408 is far more indebted to classic horror films such as the original 1963 version of THE HAUNTING.1408, I Wouldn't Be in Your Shoes, Mikael Hafstrom, Sam Raimi, Stephen King, The Gift, Walter Mirisch Like THE SHINING, this is based on writing from horror master Stephen King, and it's a similarly creepy tale set in a hotel.
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A lot of the credit is due to the film's sound crew, whose detailed work goes far in giving 1408 its unsettling feeling. This is the second English-language film from director Mikael Hafstrom (DERAILED), and he does a good job of establishing tension. He's in practically every frame of the film, often alone, and he's great at making the audience share in his fear. No one has lasted more than an hour in 1408, and Mike has his work cut out for him.Though Cusack got his acting pedigree in comedies, he proves he's able to adeptly carry a horror film. Jackson, BLACK SNAKE MOAN), Mike resolves to stay in the haunted room. Despite the warnings of the hotel manager (Samuel L. Room 1408 has been the site of dozens of deaths, and this is a selling point for the skeptic in Mike. His stays in haunted hotels never shake him, but he's intrigued by New York's Dolphin Hotel. John Cusack (IDENTITY) plays Mike Enslin, a gifted writer who has turned his talents to paranormal travel books. Though it's far less gory than its peers, it has frightening moments and a creepy mood throughout. The PG-13 rating given to 1408 belies this film's truly terrifying effects on its audience.